2019

谢玉岗的笔记本

太空主题单曲《无穹》发行

Space Theme Song “Endless” Releasing

“看不见的城市”

欧洲巡演

香港响朵音乐节

大连双专场

Dalian Special 2-Days Show

在香港Seven Eleven门口哭泣的姑娘和哭泣的老男孩阿和

Hong Kong, outside a 7‑Eleven, a crying girl, and a weeping old boy Stevo

2019年6月，惘闻结束了疫情前最后的一次欧洲巡演来到香港，等待两天后参加“响朵”音乐节，一个亚洲范围内的show

case活动，参演的乐队们就像模特般轮番登台表演，期待着能被来自亚洲各地的音乐节主办方们相中去参加他们的音乐节。

演出前的两天也正好是巡演结束后难得的休息时间，所以除了吃饭我就一直待在酒店房间躺着，睡不着也躺着。到了深夜时分，乐队爱喝酒的人就聚到了我的房间，买了一些酒大家聊天，但很明显刚经过了巡演，似乎所有的话题已经都聊遍了。于是找来扑克牌斗地主，结果都被声称从来没玩过斗地主的乐队经纪人赢走了。牌局散，酒光光，我下楼去买酒。

酒店楼下就有一个7-11 Seven Eleven

便利店，已经是凌晨三点左右了，便利店的门口有一个姑娘坐在台阶上抱头痛哭。我买完酒出来的时候，她还在哭。我愣了一会儿往酒店走，走了几步还是禁不住回去问她出了什么事。她告诉我她今天从湖南来找她男朋友，她男朋友也是湖南的，来到香港工作了一年多了，前段时间两人吵架，男朋友提出分手，她接受不了于是来到香港找他。她只记得他就住在7-11对面的这个公寓楼上，但不知道具体地址，所以就一直在楼下等着希望能碰到他。我们又聊了一会儿，从她的讲述中我觉得她男友应该已经是决绝的分手了，而且这个姑娘也清楚这一点，但她就是不死心，一定要见面说清楚。我见她情绪开始稳定下来了，也不再哭了，就和她说，你已经做到你想做的事情了，他也知道你来香港找他了，他既然这么决绝的不见你，就先收起伤心，明天请你来看我们的演出吧。她错愕了一下，然后问了我演出的地址。

第二天演出后，我收到了她的信息，她说她来看了演出，很激动，这也是她第一次看摇滚乐的演出，她没等到她的男朋友，但是她已经决定就此放弃回湖南了。

那次演出完也是我最后一次看到阿和，他是之前香港的演出场地Hidden

Agenda和当时TTN的主理人。惘闻每次在香港演出后我们都会在一起喝酒，喝到酣处，阿和都会难过的痛哭。这次他和我们讲述了很多在香港做场地所经历的那些我根本无法想象的困难和被打压，甚至是针对他个人的威胁和羞辱。他和他的合伙人一直在硬扛着让香港保留着一个独立乐队演出的场所，已经扛了快十年了。

转年的2月在网络上看到TTN结束了最后一场演出，彻底关门了。阿和后来去了泰国。那个在7-11门口哭泣的女孩，不知道是不是还在湖南。

In June 2019, Wang Wen wrapped up their final European tour before the outbreak of the pandemic and arrived in

Hong Kong. We waited for two days to participate in the Ear Hub Festival, an event across Asia where

participating bands performed in succession, resembling a model showcase. The bands invited from all over the

world eagerly anticipated catching the eye of music festival organizers and promoters from various Asian

regions, hoping for future invitations to their festivals.

Two days before the performance, we had a rare break after wrapping up the tour. During these days, except

mealtime, I mostly stayed in my hotel room, lying down even though I couldn't sleep. As the night went on, some

band members, who enjoyed a drink, gathered in my room. We bought some alcohol and started chatting. However, it

became evident that we had already discussed almost every possible topic during the tour. To spice things up, we

played a card game called "Landlord" (a Chinese card game). Interestingly, our band manager, who claimed to have

never played "Landlord" before, won. After the card game was over and with empty bottles around, I headed

downstairs to buy more alcohol.

There's a 7‑Eleven convenience store right downstairs from the hotel, and it was already around 3 a.m. At the

convenience store entrance, a girl was sitting on the steps, holding her head and crying. After I came out with

the alcohol, I noticed she was still crying. I hesitated momentarily before walking toward the hotel. However, I

She told me she had come from Hunan today to see her boyfriend, who was also from Hunan and had been working in

Hong Kong for over a year. They had an argument a few days ago, and he had suggested breaking up. She could not

accept it, so she came to Hong Kong to find him. She only remembered that he lived in the apartment building

across the street from the 7‑Eleven convenience store, but she didn't know his exact address. As such, she had

been waiting downstairs, hoping to bump into him.

We talked for a while, and from her story, I gathered that her boyfriend had already firmly decided on the

breakup. She seemed to understand this, too, but she couldn't let go and insisted on meeting to clarify things.

As she calmed down, she stopped crying. I told her, "You've done what you wanted to. He knows you came to Hong

Kong to find him. Since he's determined not to see you, put aside your sadness for now. Tomorrow, please come

She looked surprised for a moment and then asked for the address of the performance.

That was also the last time I saw Ah He, the organizer of the Hong Kong music venues Hidden Agenda and TTN at

the time. After each of Wang Wen's performances in Hong Kong, we would get together for some drinks. As the

evening progressed, Ah He would often become emotional and tearful. During this meeting, he shared with us the

incredible challenges and oppression he faced while running music venues in Hong Kong. This included personal

threats and humiliation. He and his partners had steadfastly worked to preserve an independent space for bands

to perform in Hong Kong for nearly a decade.

The following February, I read online that TTN had held its final concert and closed its doors for good. Later

on, Ah He went to Thailand. As for the girl who cried outside the 7‑Eleven, I do not know if she's still in

t let go and insisted on meeting to clarify things. As she calmed down, she stopped crying. I told her, "You

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每次做完新专辑想尽可能的去更多的地方演出，把新作品传递到更多人的耳朵里。巡演对乐队是另外一种磨练，是一种乐队的集体生活。收获最大的应该是能遇到不同地方不同环境下很多有趣的人，听他们讲述各自的故事以及他们对不同问题的看法。

ensuring that our latest creations resonate with a broader audience. Going on tour is a unique form of practice

for the band, representing a collective journey of musical exploration. The most profound rewards arise from

meeting captivating individuals across different places and diverse environments. Engaging with their unique

stories and viewpoints on various subjects is an enriching experience in itself.

和Pg.Lost的两位成员 Gustav 和 Mattias 在巡演结束时

合影，他们轮流担任这次欧洲巡演的司机

This photo was taken with Gustav and Mattias, the members of Pg.Lost, at the end of the tour.

They took turns serving as drivers for this European tour.

在欧美巡演和国内最大的不同，就是我们需要自己带上设备。这次巡演一开始就完成了貌似“不可能完成的任务”：在狭小的后备箱中装入了二十多个箱子！这次租的车出了些差错，比上次巡演的车小了一号。而且正好是欧洲乐队巡演的旺季，租车公司也没有车可换了。最后经过大家的设计和尝试后，终于成功地把东西都装上了，我们都觉得吃惊。

Different from tour in China, we had to rent our backline in Europe tour.From the very start of the European

tour, we achieved what appeared to be a "mission impossible": packing over twenty boxes into the confined space

of the trunk! Unfortunately, the car we had rented for this journey encountered a setback – it was a size

smaller than the one we used during the previous tour. Moreover, it was peak touring season for European bands,

and the rental company had no available alternatives. Through collaborative planning and persistent efforts, we

managed to successfully load everything onto the car, leaving us all amazed by the outcome.

我们租设备的公司The Swiss Cheese & Chocolate Backline

Backline company we choose The Swiss Cheese & Chocolate Backline Ltd.

从捷克到奥地利的途中，乐队一行人的车因为超重被拦下来。虽然交了罚款，但是警察不允许超重车辆上路。我们和欧洲的乐队聊过这个问题，几乎所有巡演的车都会超重的。以常见的巡演车为例，自重2.7吨，要求总重量不能超过3.5吨，也就是只有八百公斤可以装，一车八个人已经差不多500-600公斤了，加上音箱设备等可想而知。最后我们找工作人员要了一个货车司机的电话，分散了一些行李和人到另一个货车上，这才得以离开。还算幸运，没有耽误当天晚上在维也纳的演出。

During the journey from the Czech Republic to Austria, the band's vehicle was pulled over due to exceeding

weight limits. Though we paid a fine, the police prohibited us from continuing with an overweight vehicle. We

discussed this issue with fellow European bands and discovered that almost all touring vehicles are overweight.

Taking a standard touring vehicle as an example, with a curb weight of 2.7 tons and a maximum allowed weight of

3.5 tons, only about 800 kilograms are left for loading. Considering that eight passengers alone weigh

approximately 500 to 600 kilograms before adding equipment such as speakers, the situation becomes even more

evident. In the end, we managed to obtain the contact information of a truck driver from the staff. By

distributing some of our luggage and people onto another truck, we continued on our way. Fortunately, luck was

on our side, and the incident didn't cause any delays for our performance in Vienna that same evening.

每次去欧洲演出Pg.Lost 的哥们如果有时间都会帮我们的，而且最近吉他手Gustav定居在慕尼黑，所以他帮我们取车取设备都比较方便。但是因为之前他就定好了5月底要去巴塞罗那看Primavera

Sound音乐节，所以中途另一个定居在伦敦的吉他手Mattias就过来接力了。他们真是太仗义啦。

Whenever we perform in Europe, the band members of Pg.Lost always lend us a hand whenever they have the time.

Recently, their guitarist Gustav settled in Munich, making it convenient for him to assist us with picking up

the vehicle and equipment. However, because he had already planned to attend the Primavera Sound music festival

in Barcelona at the end of May, guitarist Mattias, who resides in London, stepped in to help midway. Their

generosity and reliability are truly remarkable.

左图为Gustav，右图最右为Mattias

紧张巡演之余的欢乐时刻

Joyful moment beside the intense tour

欧洲的老场地感觉完全没有变化，我想它和10年前20年前也应该是一样的。所以每次在这种老场地演出，都会有一种穿越的感觉，能想起很多久远的事。场地得以存在时间久远，有部分原因在于音乐场景中“人”持续的活跃。无论是从业者、乐队还是观众，欧中巡演中遇到的人都对音乐本身有着令人敬佩的热情和坚持。巡演到荷兰Haarlem的场地时就遇到了两位爷爷年纪的调音师，在国内很少能见到这样年纪还在一线工作的舞台工作人员。

The old venues in Europe feel like they have not changed a bit. They must be just the same as they were ten or

even 20 years ago. Every time we perform at these historic venues, it's like a walk down memory lane as memories

from the distant past flood back. The enduring existence of these venues is attributed to the continuous

presence of dedicated individuals in the music scene. Whether they are professionals, bands, or audience

members, the people we encounter during our European and Chinese tours exhibit an admirable passion and

unwavering commitment to music. We even had the privilege of meeting two senior sound engineers during our time

in Haarlem, Netherlands. It's a rarity to come across individuals of their age still actively contributing to

the industry in our home country.

历史悠久的德国场地Beatpol

The historic German Venue, Beatpol

国外摇滚音乐这个产业比我们要早很多年，所以它已经常态化了，所以从业的人员会有很大年龄的人，这应该很正常。我想未来如果中国的音乐产业也能良性的一步步踏实的走下去的话，那以后在国内肯定也会有越来越多年纪大经验丰富的从业人员的。

The rock music industry abroad has a significant head start compared to ours, which has led to its normalization. Consequently, it's common to find professionals in the field of advanced age, which is entirely expected. Suppose China's music industry continues on a steady and progressive path. In that case, we can anticipate the emergence of an increasing number of seasoned professionals with years of valuable experience in the field.

调音师小龙和两位加起来有120+的场地调音师合影

A group photo with sound engineer, Deng Chenglong, and two other sound engineers with a combined experience of over 120 years

在欧洲，对一个巡演的乐队来说，食宿是成本中的一大块，所以很多主办方为乐队着想，但凡有条件的场地都会提供给乐队住宿，这样也省去了乐队从场地再去酒店的时间和费用。而且欧洲晚上演出后找地方吃饭不像国内这么方便，所以所有的主办方都会在场地为乐队做饭吃，而且做的都很好吃。不过欧洲演出完了没有夜宵，这点还是中国好，多晚都有吃的。在欧洲演出完，我们会收拾直接装车，然后装上些后台的啤酒回房间喝酒聊天，但因为第二天一般都会起早开车上路，所以也不能让我们的司机朋友熬的太晚。

For a touring band in Europe, lodging and meals make up a substantial portion of the overall expenses. Therefore, many European event organizers go the extra mile to assist the bands. When possible, venues offer accommodation to the bands, saving them the time and cost of traveling to and from hotels. Furthermore, finding a place to dine after evening performances in Europe isn't as straightforward as it is in China. As a result, all event organizers provide meals for the bands at the venues, which are typically quite delicious.

However, unlike in China, there's a notable difference in late-night dining options in Europe. This is where China shines, as there's always something to eat no matter how late it is. After concluding our performances in Europe, we pack up, load our equipment onto the vehicle, and then enjoy some backstage beers in our rooms while engaging in conversation. Nonetheless, given that we typically have early starts and long drives the following day, we try not to keep our driver friends up too late.

可能有很多欧洲乐手都是素食的原因，所以场地一般准备的食物都偏素。整个路程上吃的最多的食物就是土耳其肉夹馍了吧，哈哈，经济又快捷，还有欧洲的啤酒太好喝了。

It's possible that many European musicians are vegetarian, which is why the food offered at venues typically leans towards vegetarian options. One thing we ate a lot during the whole trip was Turkish kebabs—they're economical and quick. And, of course, European beer is delightful.

去音乐节不管作为演出人员或是观众，更多的是一种体验。它和在室内小livehouse的心情完全是不一样的。当你眼睛从舞台上演出的乐队身上掠过，你看到的是蓝的天或者黑夜里的星星。这次欧洲巡演演了Dunk！Festival、Post in Paris和Pelagic Label Night 三个音乐节。

Attending music festivals, whether as a performer or audience member, is primarily about the experience. It offers a distinct vibe compared to small indoor livehouse venues. As you scan the bands on stage, your backdrop is the blue sky or the stars in the night. During our European tour, we had the privilege of performing at three music festivals: Dunk! Festival, Post in Paris, and Pelagic Label Night.

不管是去演出的乐队还是去看演出的观众，大家看起来完全是融在一起的。欧洲演出极少有人拿着手机拍摄，大家都比较专注。另外观众的年龄范围也比较大，很多中老年人也都会来看现场。我印象比较深的是最后一场在汉堡演出后，一个60多岁的观众过来和我聊天，他英文不太好，但我差不多听明白了，他说他和他妻子已经在汉堡这个场地看了我们三次演出了。这感觉对我来说很棒。

Whether it's the bands performing or the audience in attendance, everyone seamlessly merges together. In European concerts, it's uncommon to see people constantly using their phones to take pictures; instead, there's a heightened sense of focus on the live experience. Moreover, the audience's age range is quite diverse, with many middle-aged and even elderly individuals coming to enjoy live shows. One particularly memorable experience was after our last performance in Hamburg when a man in his 60s approached me for a chat. Although his English wasn't perfect, I could understand most of what he said. He mentioned that he and his wife had attended our shows at this Hamburg venue three times. This was a genuinely heartwarming moment for me.

2015年第一次去Dunk！的时候好像会有一些紧张，这次就很放松，所以感觉演出状态也比第一次好。

I was a little nervous when I first went to Dunk! in 2015. However, I felt much more relaxed this time, which improved my performance compared to the first time.

我们参加的2015年和2019年Dunk!海报

Dunk!音乐节上还见到了为惘闻绘制最新T恤的Error!Deisgn插画师Xavi

At the Dunk! Music Festival, we also met Xavi,

the illustrator from Error! Design who created the latest T-shirt design for Wang Wen

Dunk!音乐节的周边帐篷

The merch site in Dunk! Festival

在Dunk!还见到了我们的制作人Wouter

Meet our album producer Wouter in Dunk! Festival

惘闻和Dunk! Festival的发起人。他们一家人办了这个音乐节。

We and the founder of Dunk! Festival. He and family hold this fest for more than 10 years.

Pelagic Label Night是每年我们欧洲厂牌Pelagic Records做的一个展演。都是厂牌下面的乐队演出，同时也会邀请一些主办方和媒体来看，它更像一个Home Party，很亲切。这次厂牌主理人第一个喝大走了……Post in Paris很有意思，所选的场地是在一艘船上。那么多乐队的演出，主办方依然控制的井井有序，很棒。

Pelagic Label Night is an annual event organized by our European record label, Pelagic Records. It showcases bands signed to the label and invites event organizers and media to attend, creating a warm and intimate atmosphere akin to a Home Party. This time, even the label's founder got a bit too merry... As for Post in Paris, it was fascinating because they chose a venue on a ship. Despite hosting multiple bands, the organizers maintained a well-structured and impressive event.

这次巡演途中印象深刻的共演音乐人有三组：Bombino和K-X-P，这两个乐队太棒了。Bombino去年好像来过中国巡演，吉他手太厉害了，人琴合一那种，看他的现场非常享受。K-X-P是芬兰的双人乐队，现场的氛围营造得太出色了，dark side of Chemical Brothers, 哈哈。

During this tour, I was particularly impressed by three co-performing musicians, including Bombino and K-X-P, both exceptional bands. Bombino, who I believe toured China last year, has an incredibly skilled guitarist who seamlessly blends with the music, creating an enjoyable live experience. K-X-P, a Finnish duo, managed to craft a fantastic live atmosphere, somewhat reminiscent of the dark side of the Chemical Brothers.

之前听了几遍Godspeed You! Black Emperor乐队吉他手Efrim的个人唱片，并不是特别能进去。直到那天看Dunk!现场，完全被震撼了，超级感动！不论是从技术控制还是情绪表达上，都是完美的，让我从开始的半场区一直走到了第一排。

I had listened to Godspeed You! Black Emperor guitarist Efrim's solo albums a few times before, but I did not feel a strong connection with them. However, when I saw him perform live at Dunk!, I was utterly amazed and deeply touched! His performance was flawless in terms of both technical skill and emotional expression. It was so powerful that I went from standing in the middle of the crowd to making my way to the front row.

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s common to find professionals in the field of advanced age, which is entirely expected. Suppose China

s uncommon to see people constantly using their phones to take pictures; instead, there

在结束了“看不见的城市”欧洲巡演后，我们又在7月前往香港参加了响朵音乐节和论坛。“响朵”是由抢耳博览（Ear Hub）主办的独立音乐产业交流活动，包括showcase演出、产业论坛和网络活动。通常会邀请100多组海内外音乐人参与音乐节演出，旨在以香港为中心、连结全球音乐人才和产业从业者。

After wrapping up our "Invisible City" European tour, we traveled to Hong Kong in July to participate in the Ear Hub Festival and Forum. The festival is an independent music industry event organized by Ear Hub, which includes showcase performances, industry forums, and online activities. It typically invites more than 100 music acts from around the world to participate in the festival, to use Hong Kong as a central hub to connect musicians and industry professionals globally.

每年在家乡大连举办双专场演出，是惘闻乐队一贯的坚持。2019年的这次双专场，我们第一次以“完整概念”的企划让这次家乡聚会变得更具沉浸感：围绕主题拍摄制作了7集“Seaside Video系列”短视频、策划撰写“Unknow

Wen”系列文章，同时制作环保纸袋发、卫衣等限定周边，还以惘闻音乐为灵感制作了主题鸡尾酒带到现场。通过前期一系列视觉联系，加深了惘闻的音乐与大连这座城市、大海之间的联结，持续提升期待感，希望能带给能够被大家所怀念的现场。

Every year, our band holds a 2-days special show in our hometown of Dalian, a consistent tradition. In the 2019

edition of this double special event, we took things up a notch with a complete concept plan to make this

hometown gathering even more immersive. The band produced a 7-episode "Seaside Video Series," curated and

authored a series of articles titled "Unknown to Wang Wen," and created environmentally friendly items like

paper bags and hoodies as limited merchandise. We also crafted theme cocktails inspired by Wang Wen's music for

the event. These pre-event visual elements strengthened the connection between Wang Wen's music, the city of

Dalian, and the sea, building anticipation for the event. We hoped to deliver a live experience that would be

惘闻 Seaside Video合集

Wang Wen Seaside Video Collection

海，对于来自大连的我们而言，是灵感，更是伙伴。

The sea, for us who hailed from Dalian, serves as both a wellspring of inspiration and a steadfast companion.

她和大连的那些岁月一起，塑造出惘闻被你们听到的模样。

Over the years we spent in Dalian, the sea has played a pivotal role in shaping Wang Wen into the sound you hear

在我们调音师小龙的策划下，我们在大连就地取景，拍摄了一个Seaside

Video系列的6支音乐Live短片。其中包括《大连，勿语》、《破晓》、《黄泉水》、两首即兴和一首未命名新歌。出现在视频中的有黑石礁附近的海滩，也有废弃的高塔，夕阳余晖反射在海面波光粼粼……现在看来也很令人怀念，我们也很喜欢最后的呈现效果。

With the guidance of our sound engineer, Deng Chenglong, we filmed a series of six live music short films titled

"Seaside Video" in Dalian, using local settings. This series includes performances of songs such as "Silenced

Dalian," "Daybreak," "Netherworld Water," two improvisations, and an untitled new piece. The videos feature

various scenes, including a beach near the Black Stone Reef and abandoned towers, with the beautiful sunset

reflecting on the sparkling sea surface. Looking back, these moments evoke a sense of nostalgia, and we are

delighted with the final results.

分享一些拍摄花絮。当时我们租了两台眼灯，用非常少的设备、最简单的方式完成了这次拍摄（感谢天公作美）。我们的全能调音师小龙变成了导演小龙，他来掌镜、拍摄、剪辑、混音了系列视频。很庆幸我们捕捉到了这样难得的状态，那些音乐和自然真正融在一起的时刻。

Here are some behind-the-scenes photos. We rented two camera lights during the shoot and managed to complete the

filming with minimal equipment, thanks to favorable weather conditions. Our multi-talented sound engineer, Deng

Chenglong, assumed the role of Director, handling everything from camera work to shooting, editing, and audio

mixing for the video series. We're grateful that we captured these precious moments when music and nature

seamlessly came together.

海边落日真的很美。

The seaside sunset is truly beautiful.

这是我们第一次从第一张专辑开始梳理乐队历史，甚至有很多回忆用到了这个网站的筹备过程中。偶尔在适合的时候停下来，回望一下走来的路，也不错。

This was the first time we comprehensively reflected on the band's history, starting from our first album. We

even incorporated many memories from the process of preparing this website. Taking occasional moments to pause

and reflect on our path is also quite rewarding.

做大连特调的想法也很偶然：我们在朋友圈看到以惘闻最新单曲「无穹」为主题的特调鸡尾酒，看上去与「无穹」单曲封面“燃烧的星球”意象一脉相承，从创意到口感都令人惊喜，这杯特调的创作者正是调酒师江北。

The idea of crafting a Dalian specialty cocktail happened quite unexpectedly. We spotted a cocktail on social

media inspired by our latest single, "Endless". It seemed to carry the same theme as the single cover, featuring

the image of a "Burning Planet." The cocktail impressed us both in terms of creativity and taste. It was created

by a bartender called Jiangbei.

“惘闻的音乐给我的印象比较深刻，常在忙碌过后的时间里，戴上耳机，沉静地去聆听。我也在惘闻的音乐作品中获得许多酒水创作的元素，因此才能够有这些独特鸡尾酒。它们不仅蕴含我对惘闻作品本身的喜爱，也是我解读音乐的一种形式：从酒的颜色、口感、基酒的选用和外在形式等萃取聆听时的意识碎片，慢慢形成了这些特调。”

调酒师 江北

Wang Wen's music has made a lasting impression on me. I often find myself donning headphones and quietly

listening to their music, especially during moments of respite from a busy schedule. Wang Wen's music

inspired me to craft these unique cocktails. These cocktails reflect my appreciation for Wang Wen's work and

represent my interpretation of the music. It involves extracting fragments of awareness while listening,

such as the drink's color, texture, choice of base spirits, and presentation. Over time, these elements have

come together to create these special concoctions."

惘闻流动的器乐摇滚总能带给人无限想象空间，「Lonely

God」、「焦虑抑制剂」、「无穹」等等充满寓意的歌名也是乐迷津津乐道的话题。再加我们自己也喜欢喝酒，为何不在大连家乡演出时来点特别的“招待”？这些让我们萌生了在大连双专场时呈现一系列“惘闻限定特调”的念头。音乐和调酒是不同领域的“创作”，用一种灵感点燃另一种灵感，如果惘闻的音乐能带来想象，这是值得珍惜的缘分

Wang Wen's instrumental rock music has always had the power to ignite limitless imagination. Song titles like

"Lonely God," "Inhibitor for Anxiety Disorder," "Endless," and more, filled with meaningful themes, are often

topics of discussion among fans. Since we also enjoy drinking, we thought, why not offer something special as a

"treat" during our hometown performances in Dalian? These ideas led us to create a "Wang Wen Exclusive Specialty

Cocktails" series for our Dalian twin showcase. Music and mixology are different forms of "creation," but one

can inspire the other. If Wang Wen's music can spark imagination, it's a connection we value greatly.

大连和海与惘闻乐队有着不可分割的联系，成为一部分惘闻被听到的模样，这是本季大连专场两款限定周边的灵感来源：肆意延伸的抽象线条代表了“海”的自由，而“城市”则是双专场海报固定的主题。除了环保纸袋和连帽卫衣之外，我们也为这次双专场定制了可以作为书签纪念的门票。

Dalian and the sea are integral to Wang Wen's identity, influencing the essence of their music. This season, two

limited-edition merchandise items for the Dalian special shows draw inspiration from this connection: the

abstract lines represent the "freedom" of the sea, while "city" is a recurring theme in the double unique show

posters. Alongside eco-friendly paper bags and hoodies, we've also created special tickets for these shows that

▷ 创意纸袋

蓝色海洋款和紫色城市款

均使用特种纸制作，防水耐磨，环保实用

Available in Blue and Purple City Style

Made from specialty paper, these bags are waterproof, long-lasting, and eco-friendly.

▷ 连帽卫衣

黑蓝两色入，柔软舒适

背面有“惘闻大连”精致刺绣

Made of a soft and comfortable material, available in blue and black

s music for the event. These pre-event visual elements strengthened the connection between Wang Wen

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s work and represent my interpretation of the music. It involves extracting fragments of awareness while listening, such as the drink

during our hometown performances in Dalian? These ideas led us to create a

series for our Dalian twin showcase. Music and mixology are different forms of

“大连是流动的”主题周边

“Fluid Dalian” Theme Merchandise

《挑战吧！太空》是一档讲述人类在未来离开地球、开启在火星生存的节目。在节目组邀请下，我们创作了《无穹》作为节目主题曲。这也是惘闻第一次以整体乐队形式进行一个有明确主题的音乐创作。

关于外太空，关于我们生活的地球之外的世界，始终是人类执迷于去发现和探索的领域。在人类的历史中，我们如痴人般不断思考着我们是谁，到底从哪里来又要到哪里去的这个人类哲学第一命题。那对于整个宇宙的畅想更是一刻都没有停止过。所以当刚开始接触到《挑战吧！太空》这个节目的主曲创作的时候，我很兴奋但同时也感到有些无从下手。于是乐队的每个人都分头去准备了一些自己根据这一命题而创作的动机和想法。当我们把这些素材汇集在一起的时候，我的聆听感觉是这些素材更多的都是指向了关于摆脱束缚和突破现有极限的情绪和话题。所以乐队据此找到了一个切入点。我们将整个的主曲做成了一个两段式的结构，第一段对我来说更像是描绘了一幅想象中的飘渺未知的外太空景象，它既荒凉也优美。第二段更像是在一片荒凉之中重新一点一滴的构建和向外突破。在配器上，我们加入了一个小编制的弦乐团和合唱团，试图放大一种不同人把力量汇聚在一起共同发力的状态，所以最后的混音制作，我们也是把它交给了远在瑞典的制作人Kristian, 他同样对这一命题的音乐非常感兴趣，所以在最终的混音中他也加入了他的想法，并配合著合唱团加入了他标志性的高音吟唱。当最终的母带在瑞典由母带师Magnus完成并通过因特网传给我再次聆听的时候，我非常感动，不同于之前所做的任何配乐，它汇集了那么多人的想法和劳动，这就像今天我们的宇航员能离开地球，迈出一下步进入外太空一样，背后是无数人工作研究和探索的结果。​

The reality show“Space Challenge” tells a story about humankind leave from Earth to Mars for living in future. We are invited to composed "Endless" as theme song of the show.

《无穹》发行了10寸单曲彩胶，也首次尝试了制作创意周边产品——流沙画。

We released a 10' colored vinyl of "Endless" single and designed creative merchandise, quicksand painting for the first time.

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